![]() Budgets today are so little and this was such a pleasure.” “These were such luxurious sessions,” said Lagatta, the French engineer who handled much of the vocal engineering on the album. The conditions behind the recording of “Random Access Memories” - one of the music industry’s biggest acts secretly spending around a million dollars of their own money to record in L.A.’s most expensive studios for half a decade - aren’t likely to be repeated soon. While the team used music editing software like Pro Tools to assemble tracks, most of the album was recorded onto several different analog tape formats through vintage microphones, outboard effects rigs and a hulking and well-preserved Neve mixing desk, not unlike the one celebrated in Dave Grohl’s big-screen documentary tribute to analog recording, “Sound City.” studios like Henson, Capitol and Conway, along with Electric Lady in New York City and their own Paris studios.Īn engineer’s job can range from selecting and properly placing microphones to running the mixing board, choosing effects and generally using their technical expertise to execute a band’s vision for their sound. Over five years, the engineering crew - Franco, Guzauski, Florian Lagatta and Daniel Lerner - worked with the band in world-class L.A. In another shift from the band’s futuristic musical aesthetic, Daft Punk hired a team to re-create the expensive, perfectionist L.A. They collaborated with veteran guests like Rodgers, disco producer Giorgio Moroder, the Oscar-winning songwriter Paul Williams and a bevy of session musicians who had performed on Michael Jackson, Eric Clapton and Herbie Hancock albums. Here they only used hand-designed electronics like modular synthesizers and vocoders. On “Random Access Memories,” Daft Punk largely ditched the digital trickery of their old albums (where they used software and machines to sample and manipulate pieces of tracks). Much of it is made on computer software using samples and virtual instruments. I think Daft Punk wanted to have that experience and see what they could do here.”Īmerica is awash in the electronic dance music (or EDM) that Daft Punk helped popularize in the late ‘90s and early 2000s. All of my favorite albums were done in these kinds of studios. “Anyone can record in their house, it’s so cheap and simple to make a record today,” said Peter Franco, one of four nominated engineers who worked with the band during the recording process (another two of the nominees, Bob Ludwig and Antoine Chabert, mastered the album). TIMELINE: Grammy Awards through the yearsĪ week before the Grammys, four of the engineers nominated for their work on “Random Access Memories” gathered there and remembered how good it felt to take their time recording. Inside Henson, vintage reel-to-reel tape machines line the walls, and one feels the ghosts of the classic albums recorded here: Joni Mitchell’s “Blue” and Carole King’s “Tapestry” among them. In a dance-music genre that prizes inventive sonics, Daft Punk’s engineers helped them make the past feel new.ĭaft Punk recorded a big portion of the album at Henson Studios in Hollywood, where the band keeps offices. 2013 EU 180g vinyl 2LP, collaboration with Giorgio Moroder including the single 'Get Lucky ' = The fourth studio album by the French electronic music duo, feat Pharrell Williams featuring a guest appearance from Nile Rodgers of Chic on three tracks including the single 'Get Lucky ' = gatefold picture sleeve with lyric printed booklet.ī3 Lose Yourself to Dance (feat.The “Random Access Memories” engineering team worked to make recordings that can compete on radio and raves today, but used techniques to capture sounds that feel as human as the best classic rock.
0 Comments
Leave a Reply. |
Details
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |